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Review
The offbeat Norwegian director Bent Hamer (Kitchen Stories, Factotum) has a wonderful eye. This deadpan comedy about a newly-retired train driver (Bård Owe) might be the best-looking film of the week.
Even for Hamer, it’s aimless, though, and you keep hoping the aimlessness is going to crystallise into a point. The film’s frostbitten sense of mortality is something we’re meant to feel in our bones.
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